Background
Even in the mid 1950’s, when the Rolls Royce Silver Cloud was launched, it still managed to feel a bit…..pre-war. Despite that the Silver Cloud soldiered on in mark I, II and III guises until 1966, by which time it seemed positively Jurassic compared to some of its peers. So, when the Silver Shadow was launched in 1965 it wasn’t a moment too soon.
Back at launch the Silver Shadow was considered state of the art with a number of key attributes setting the car apart from all those that had gone before. Firstly, it once and for all put to death the hallowed Rolls Royce tradition of producing cars with a separate body and chassis. There would be none of that old nonsense for the new model with the Shadow utilising a thoroughly modern pressed steel monocoque. The most tangible benefit of this being improved packaging. Despite being nearly four inches narrower and seven shorter than its predecessor, it was notably roomier and about two stocky chauffeurs lighter.
The thoroughly modern John Blatchley design had plenty more surprises up its impeccably tailored sleeves, too. There was the dual circuit disc brakes all round, to start (or stop) with but perhaps the biggest surprise was the entente cordial-esque inclusion of a notable Gallic innovation. The Shadow eschewed the outdated live rear axle design in favour of an independent system with hydropneumatic actuation which was licensed from Citroen. The self-levelling design initially graced both ends of the Shadow but was used on the rear only from 1969 onwards with no detriment to the car’s pillowy ride.
The Silver Shadow was a huge hit and helped to broaden the appeal of the marque with illustrious owners ranging from members of the royal family to Freddy Mercury, Eric Morecombe and Jimmy Tarbuck. By the time the Silver Shadow II arrived in 1977 over 16,000 Shadows had rolled out of Crewe.








