The luxurious brown Connolly hide interior, which is piped in cream, includes a matching leather top and knee rolls in addition to the front headrests we mentioned in the introduction. All were expensive factory options in period. The standard finish to the dash being black plastic!
Our man describes the wood and leather as being in an “exceptional” condition, with only light creasing to the seat faces marring what would otherwise be a show-winning condition – and that’s before the true magnificence of the colour itself hits home.
It really is utterly lovely, both in execution and condition, with the quality of the walnut veneer being a highlight in a cabin that isn’t exactly short of noteworthy appointments.
Like the leather bound Wilton wool carpets, which are also in an excellent condition.
The boot was retrimmed recently with a Blenheim Leaf trim pack, and the new overmats in the cabin are complementary Blenheim Autumn Leaf.
Those in the rear get to enjoy very good legroom, an even cleaner seat than the ones in front, walnut-framed mirrors in the C-pillars, and a pair of natty footrests.
All the occupants get to enjoy lashings of heavy chrome controls and switches too, while the driver will appreciate the pencil-thin steering wheel; this is a saloon car you guide with nothing more than fingertip pressure; no muscling around bends with white knuckles clench around a fat-rimmed wheel for a Rolls-Royce driver…
They will also appreciate some of the cleanest and most stylish instruments and controls in the business; the cabin might seem a bit basic if you’re coming to it from a modern car but the Silver Shadow dates from a time when luxury was engineered and every interaction is a delight with a precisely calibrated precision and heft to every control.
Of course, other areas such as the door cards and headlining are all excellent, and there are even a few Easter eggs dotted throughout the cabin like the wonderfully of-the-period cassette storage rack that’s fitted between the front seats.
The driver’s door shut also features a metal plaque from Romans and the rear window features a decal from the same firm, as does the rear numberplate and it’s nice to see all have survived intact.
A modernish Clarion CD player is fitted in addition to what appears to be the original radio. The former almost certainly sounds better than the latter, but there’s no denying the radio the factory fitted is the more stylish of the two.
As for faults, the odometer doesn’t work, and we suspect the outside thermometer doesn’t read accurately either. There’s also a small stain on the offside of the rear transmission tunnel.