Background
Geri Horner (née Halliwell), Steve McQueen and Mr. Bean.
One of the worst ever fantasy dinner party combinations?
Quite possibly.
But at least they’d have one topic of conversation in common: at one time or another, they all owned and drove a Mini.
As did Madonna, Twiggy, James Garner, Peter Sellers, Mick Jagger and all four of the Fab Four.
Even Enzo Ferrari had one.
Basically, anybody who’s anybody has owned or at least driven a Mini at some time, and not least because Sir Alexander Arnold Constantine Issigonis’s Mini was as much a defining symbol of the Swinging Sixties as the mini-skirt or the Zapata moustache.
It’s been popular in one iteration or another for 61 years because its groundbreaking engineering, cheeky good looks, surprisingly spacious interior and go-kart handling were exactly the breath of fresh air that most people - across all ages and classes – needed, wanted and could afford.
Perhaps inevitably, it lost some of its mojo in later life, as did many of the marques whose destinies were randomly decided in the chaotic maelstrom of upheavals, mergers, buy-ins, bail-outs, disputes and bankruptcies that characterized the British car industry for the best part of 30 years.
Then, in 2001, the first of the BMW generation of Minis began rolling off the production line in Oxford.
The Bavarian giant had come to the rescue and done a really very impressive job of reinventing and reimagining one of the world’s most loved automotive names.
In 2003, the wise Bürgers of München raised their sights a little higher and bagged themselves the most prestigious marque in automotive history – Rolls-Royce.
In 2011, someone at BMW asked a silly question.
What would happen if we combined the proven dynamics, performance and driver-appeal of the Mini Cooper S with the luxury, opulence and indulgence of a Rolls-Royce?
Well, the Mini ‘Inspired by Goodwood’ edition was the extraordinary answer – and we just happen to have a very, very good example here with us today.








